Sequence from the movies after revolution

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Issa claims that “This new, humanistic aesthetic language, determined by the film-makers’ individual and national identity, rather than the forces of globalism, has a strong creative dialogue not only on home ground but with audiences around the world.”

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From exile to Germany to jewelry making in Berlin; who is “Prince Babak Qajar”?

In recent years, scattered reports in sections of domestic and diaspora media have drawn attention …