Sequence from the movies after revolution

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According to Dabashi, “the visual possibility of seeing the historical person (as opposed to the eternal Qur’anic man) on screen is arguably the single most important event allowing persians access to modernity.”

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The story of Morteza Avini’s friendship with Ghazaleh Alizadeh

[custom_adv] The Unfinished Story of Kamran and Ghazaleh: Love, Ideology, and the Dual Identity of …