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Farah Diba Pahlavi looking at George Braque’s Guitare, fruits et pichet (1927). Photo ©Jila Dejam, courtesy the artist and Box Freiraum.The photos also show the days leading up to the opening. On one wall, a series of four in black and white capture the installation of Noriyuki Haraguchi’s first Oil Pool, which debuted at Documenta 6 in 1977, and has been on view at the TMoCA since day one.
