[custom_adv] "After her separation, and later her divorce (1954), from Parviz, she loses custody of her son because she has had several affairs. Her son Kamyar, whom she affectionately calls Kami, is taken away from her and brought up by Parviz and his family. [custom_adv] Forugh is given very few visiting rights, and the child is brought up with the impression that his mother has abandoned him for poetry and the pursuit of her sexual pleasures. The thought of her son thinking that she willingly abandoned him, is a source of great sorrow and constant torment for her." [custom_adv] Farrokhzad spent nine months in Europe during 1958. After returning to Iran, in search of a job she met filmmaker and writer Ebrahim Golestan, who reinforced her own inclinations to express herself and live independently, and with whom she began a love affair. [custom_adv] [8] She published two more volumes, The Wall and The Rebellion, before traveling to Tabriz to make a film about Iranians affected by leprosy. This 1962 documentary film, titled The House is Black, is considered to be an essential part of the Iranian New Wave movement. [custom_adv] During the 12 days of shooting, she became attached to Hossein Mansouri, the child of two lepers. She adopted the boy and brought him to live at her mother's house.
