maliheh nikjoomand who resisted the forced hijab

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I was at the festival that year and saw how the global perception of Iran changed overnight from a bearded angry man (Khomeini) to the bright smiling face of a young film-maker. It was a transformative moment in the global reception of Iranian cinema and, with it, Iran itself.

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In the mid-1930s, Iran stood at a crossroads between tradition and modernity. The reign of …