In this time, Film Farsi began which has been described as “low-quality movies for audiences who were becoming addicted to such fare, losing any taste or demand for anything different.” Film Farsi is characterized by its mimicking of the popular cinemas of Hollywood and India, and its common use of song and dance routines. Forough Farrokhzad made the short documentary film The House Is Black in 1963, and this film is considered to be a precursor to the new wave cinema. Its unflinching depictions of life in a leper colony, paired with artistically composed shots and her own poetry, made this a truly unique film. Other films such as Farrokh Ghaffari’s The Night of the Hunchback (1964), Ebrahim Golestan’s Brick and Mirror (1965), and Fereydoun Rahnema’s Siavush in Persepolis are all considered to be precursors as well.