Reza Davoudenjad funeral

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Issa claims that “This new, humanistic aesthetic language, determined by the film-makers’ individual and national identity, rather than the forces of globalism, has a strong creative dialogue not only on homeground but with audiences around the world.”Moreover, new wave films are rich in poetry and painterly images. There is a line back from modern Iranian cinema to the ancient oral Persian storytellers and poets, via the poems of Omar Khayyam.

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Photos of art classes 90 years ago in Tehran

[custom_adv] In the mid-1930s, Iran stood at a crossroads between tradition and modernity. The reign …