Controversies and Opinions
The festival has not been without its share of controversies and differing opinions within the Iranian theater community. In the 31st edition, many notable writers and directors who had previously won awards in earlier editions were absent. Maryam Mutafrah, the director of the street theater section of the festival, has emphasized the importance of having experienced professionals participate alongside young artists to ensure a valuable learning experience. She argues that the absence of seasoned professionals could deprive young artists of mentorship opportunities.
On the other hand, playwright and director Mohammad Yaqoubi holds a different view, arguing that the festival should primarily serve as a launching pad for emerging talent. He contends that participation in the festival should not guarantee a public performance and suggests that established professionals should step aside to allow young artists to gain recognition.
Similarly, theater director Nima Dehghan shared his experience, stating that while he once aspired to win the festival’s prestigious awards, he later realized that the true value of the festival lies beyond mere accolades. Dehghan expressed his belief that a balance should be struck between public performances and festival participation.