His poems frequently addressed social and political themes, reflecting his concern for justice and his deep connection to Iranian history. He saw poetry as a means of expressing impatience and prophecy, defining it as “the product of human impatience in moments when it is illuminated by the consciousness of prophecy.”
One of his most famous works, Winter (Zemestan), became a powerful metaphor for political oppression and despair, resonating with readers during times of political turmoil in Iran. His poetry combined symbolism, metaphor, and historical references, making it both intellectually stimulating and emotionally evocative.
Political and Social Engagement
Akhavan Sales was deeply engaged with the intellectual and social movements of his time. His poetry in the 1950s and 1960s reflected the struggles and aspirations of Iranian society. Many young intellectuals and artists of the period found inspiration in his work, viewing it as a new perspective on life and social justice.
Despite his deep engagement with Iranian history and culture, some critics accused Akhavan Sales of harboring nationalist and even racist sentiments. However, he rejected these claims, emphasizing that his interest in justice and Iranian history was driven by a love for his homeland rather than any exclusionary ideology.
