Maryam Roohparovar, known as Umm Kulthum of Iran

Gender, Fame, and Social Constraints

As a female singer in mid-20th-century Iran, Roohparovar navigated a complex social landscape. While the Pahlavi era allowed women greater public visibility, female performers still faced moral scrutiny and social stigma. Success came at a cost, and many women artists lived lives marked by tension between public acclaim and private vulnerability.

Roohparovar, like many of her contemporaries, maintained a relatively private personal life. This privacy has contributed to the ambiguity surrounding key events in her later years, including her health, movements after the revolution, and the circumstances of her death.


The 1979 Revolution and Its Aftermath

The Iranian Revolution of 1979 marked a profound rupture in the lives of many artists, particularly singers associated with pre-revolutionary popular culture. Music—especially female vocal performance—was severely restricted, and many artists were forced into exile, silence, or obscurity.

Accounts differ regarding Roohparovar’s life after the revolution. Some sources claim that she left Iran and traveled to Turkey, where she allegedly died in 1991. Others assert that she remained in Iran throughout the turbulent years of the Iran–Iraq War (1980–1988). According to one widely circulated account, her death was caused by a missile strike that hit her home during the war.

However, a more detailed and personal account comes from Suzan, one of Roohparovar’s close friends and herself a singer. According to Suzan, Roohparovar suffered from serious lung problems in the final years of her life. These health issues, possibly exacerbated by stress, war conditions, and limited access to medical care, significantly weakened her.

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