Asadzadeh entered the world of cinema in 1949 with the film The Annoying Wife. This marked the beginning of a prolific period in which he appeared in more than fifty films during the 1960s and 1970s. His screen presence was characterized by clarity, restraint, and a strong theatrical foundation, allowing him to perform convincingly across genres ranging from comedy to drama.
In 1956, his artistic promise was recognized at an institutional level when he was sent to Paris by the General Directorate of Fine Arts to attend one of the largest international theater festivals. He spent three months studying contemporary theatrical trends, observing performances, and conducting research. This experience broadened his artistic horizons and reinforced his belief in the importance of continuous learning.
Upon returning, he resumed work with national radio and intensified his theatrical activities. Over the course of his career, he wrote and directed approximately twenty plays and performed roles in nearly two hundred stage productions. Among the notable works he staged or performed in were Instant Marriage, Three Prisoners, The Actress, The Flight of the Girls, Michel Strogoff, and Monsieur Joseph. These productions reflected a balance between entertainment and social commentary, often blending humor with moral reflection.
