The Toothache Incident
One of the most memorable anecdotes about Esmat Safavi, recounted both by Parviz Khatibi and by Safavi herself on Radio Iran, concerns her creative use of excuses to participate in radio plays. On one occasion, knowing that her superior would not grant her leave, she pretended to have a toothache.
The excuse worked, allowing her to perform in the radio broadcast. However, upon returning to the office, her boss addressed her pointedly, asking:
“Well, madam! Did you have a good time with your teeth?”
He then added sarcastically that he had heard her voice on the radio and speculated that perhaps there were people with similar voices. This moment, humorous yet revealing, illustrates the tension between bureaucratic constraints and artistic passion. Safavi’s willingness to invent “thousands of excuses,” as she herself admitted, speaks volumes about her dedication.
Entrance into Cinema
In 1954, Esmat Safavi began acting in cinema, expanding her artistic reach beyond theater and radio. Iranian cinema during this period was evolving, blending popular storytelling with theatrical traditions. Actors with stage experience were particularly valued for their discipline and expressive abilities.
Although theater remained her primary passion, Safavi’s involvement in cinema allowed her to connect with a broader audience. Her performances carried the imprint of her theatrical training: clarity of expression, emotional sincerity, and a strong sense of character.
