This article will explore the concept of Persian cabaret in the content of the post-revolution adaptation of cabaret that has been shown over the years by Iranian immigrants all over the world. Therefore, it will be looking into three main areas in the following categories: the brief history of Persian cabaret and how it was introduced from west to east, the transition from pre revolution to post revolution cabarets and, forms and styles of cabaret performances which how has been shown and effected on people s perspective views.
These arguments will be supported by several documentations, books and clips to demonstrate the adaptation in Iranian cabaret.The first theory of Iranian cabaret was born from street /Cafe theatre performances back in Iran during the time of (1501- 1736) where poetry performances known as Naqqali was taken in the streets of Iran as Kumiko Yamamoto (2003:20) referred in the Oral background of Persian epic: storytelling and poetry, Naqqali was established as a religion and belief under Safavid and Shah Esmael (king Esmael).
