These arguments will be supported by several documentations, books and clips to demonstrate the adaptation in Iranian cabaret.The first theory of Iranian cabaret was born from street /Cafe theatre performances back in Iran during the time of (1501- 1736) where poetry performances known as Naqqali was taken in the streets of Iran as Kumiko Yamamoto (2003:20) referred in the Oral background of Persian epic: storytelling and poetry, Naqqali was established as a religion and belief under Safavid and Shah Esmael (king Esmael).