Inspired by, and competing in the popular space with, sexually overt European cinema, filmfarsi attempted to sell the erotic to the masses. In the advertisements for the 1973 film Chaos, Khorvash’s photograph appeared in which she posed on her knees in underwear. Her role was one of several wives of the protagonist, a middle-aged man, who despite being unattractive somehow managed to find women to have physical touch with.
