His film scores continued with Toughi (Ali Hatami, 1970), Window (Jalal Moghaddam, 1970), Dash Akol (Masoud Kimiai, 1971), Topoli (Reza Mirlohi, 1972), Balouch (Masoud Kimiai, 1972), Soil (Masoud Kimiai, 1973), Tangna (Amir Naderi, 1973), and The Deers (Gavaznha) (Masoud Kimiai, 1974).In 1965 and after working on the National persian Radio and later the University of capital orchestra, he began his collaboration with the Tanin Recording Studio (the first private recording studio in homeland), and along with his comrades he contributed to shape a new atmosphere in the pop music.
Esfandiar Monfaredzadeh stands as a bridge between tradition and modernity, showing how music can define a cinematic era, capture a nation’s spirit, and speak across generations. His scores continue to resonate, reminding audiences of the emotional power and cultural richness of cinema. Esfandiar Monfaredzadeh’s career was not only defined by artistry but also by his engagement with the social and political climate.
