In parallel to his cinematic activities and through his well-known songs such as “Friday” and “Nightly 1”, he tried to represent persian people by picturing their pains and sorrows under the totalitarian Shah’s regime. In 1973, he was sentenced to jail for his social and political ideas. However, after his release he would not remain silent and with his works (songs such as “Gonjishkak-e Ashi Mashi”, “Childish (Koudakaneh)”, “Nightly 2” or “Friday for Friday”), he accompanied and supported people in the upcoming revolution.
During the 1970s, he became increasingly vocal about issues such as social justice and the struggles of ordinary. This period saw him composing songs and music that resonated with the feelings of a generation facing rapid political and social change. His political stance and activism eventually put him at odds with authorities, leading to censorship and restrictions on his work. During this time, Monfaredzadeh, like many intellectuals and artists, faced the difficult choice between continuing under repression or leaving the country.
