The yearning for Iran in Shohreh’s music established a strong solidarity amongst the struggling Iranians who found comfort in her songs. Her notable albums during this period include Jaan Jaan, Salam, Sedaayeh Paa and Shenidam. Throughout the late 1980s and 1990s, Solati increased her appeal by releasing newer albums, each earning commendation. In the 1980s she had many concerts with Siavash Shams and Andy Madadian.
However, it was not until the release of the album Zan (1994) that she unequivocally garnered positive reviews from critics. The themes of her songs in that album not only highlighted greater recognition of women’s rights but also underlined the importance of women’s duties.At the turn of the millennium, Shohreh continued releasing more albums, “Ghesseh Goo”, “Saayeh”, “Atr”, “Safar”, “Pishooni”, and “Havas”. Her music albums produced outside of Iran have since outnumbered her numbers before the revolution.In 2008, Shohreh held a concert at Kodak Theatre to mark the release of her CD “Ashegham”. After “Ashegham” Shohreh released Esrar, Maloomeh, Dooset Daram Naro, Bargard and Shabet Bekheir.
