Conclusion: The Echo of Shattered Glass
The story of the Glass Building of the Iranian Radio and Television is not just a tale of architecture or media. It is a reflection of Iran’s complex modern history — a saga of revolution, conflict, creativity, and resilience. Designed by Abdolaziz Farmanfarmaian, a master architect shaped by both Persian tradition and Western modernism, the building stood as a testament to a period when Iran dared to dream of a modern identity.
Its destruction on June 16, 1404 signals more than a geopolitical message; it underscores the vulnerability of cultural landmarks amid the storms of international conflict. Yet, even in ruins, the legacy of the Glass Building — and the vision of Farmanfarmaian — endures.
Sahar Emami — The Face of Iran’s News Network in Crisis and Calm
In a media landscape marked by political storms, censorship debates, and the challenges of reporting under fire, one name has emerged as a familiar, steadfast presence on Iranian television screens: Sahar Emami. Known widely as the anchor of the Islamic Republic of Iran Broadcasting (IRIB) News Network, Emami represents both a personal story of professional perseverance and a symbol of the deeper tensions between media, politics, and society in Iran.
