Funeral of Fereshteh Tayerpour who was cinema producer

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Parallel to the Iranian New Wave, with its neorealist and minimalist art cinema, there exists a so-called “popular art cinema” in Iran. Filmmakers who belong to this circle make films with a broader range of audience than the narrow spectrum of highly educated people who admire the New Wave, but believe that their movies are also artistically sound.

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The story of Morteza Avini’s friendship with Ghazaleh Alizadeh

[custom_adv] The Unfinished Story of Kamran and Ghazaleh: Love, Ideology, and the Dual Identity of …