These arguments will be supported by several documentations, books and clips to demonstrate the adaptation in Iranian cabaret.The first theory of Iranian cabaret was born from street /Cafe theatre performances back in Iran during the time of (1501- 1736) where poetry performances known as Naqqali was taken in the streets of Iran as Kumiko Yamamoto (2003:20) referred in the Oral background of Persian epic: storytelling and poetry, Naqqali was established as a religion and belief under Safavid and Shah Esmael (king Esmael).
Nonetheless, back to the early days of Islamic entrance into Persia, these performances were usually performed for kings and princes during their activities such as drinking, hunting or having a picnic. Kumiko (2003) further argues that these form of arts slowly developed alongside juggling which are the signs of early cabaret.
