In the years when Baizai stayed away from the stage and was unable to make films, he was busy writing plays and screenplays and doing research, some of which were published by enlightened publications and women’s studies. Some of his important plays are The Death of Yazdgerd, Fatehnameh Kalat, and Sohrab Koshi. His writings are interesting in terms of language, for example, he did not use any Arabic words in reading Arash.
Emotional and physical separation, often reflecting societal upheavals. His works have been screened at festivals in Cannes, Venice, and Paris, bringing global attention to Iranian cinema. His research, writings, and teaching continue to influence scholars and filmmakers internationally. Even decades into his career, Beyzaie remains a living bridge between tradition and modernity, inspiring artists, students, and audiences alike. His works are studied not only for their artistic excellence, but also for their ability to preserve and celebrate Iranian identity.
