Mehran Ghafourian’s wedding photos

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“Kiarostami’s style was refined, poetic – exploring personal and philosophical issues of universal resonance that have nothing to do with geopolitical struggles,” Baheri said. “Foreign distributors took an interest in his work because they wanted films that don’t feature Kalishnikovs; they wanted a kind of cinema that portrayed a very different Iran from the one we’d see on the news.”

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